Chris
Stout Quintet/John McSherry's At First Light, Eastgate Theatre,
Peebles
*****
The Scottish Arts Council's Tune-up touring series has been doing
fine work in its first two programmes, but it's on nights like
this that the concept really proves its worth. Under normal circumstances,
these two groups would only be packaged together on, say, a Celtic
Connections stage, as they were in January. Here, they are out
on the road, presenting tradition-based music at a level that
can hardly be bettered and at the sort of pitch that comes from
sustained live performance. In short, they were hot, not least
when they conjoined for a rampaging finale. Both groups were also
cool and measured. Uilleann piper John McSherry's At First Light
quartet plays with the sort of considered approach that, even
at very high tempo, the contours and detail of a tune are always
apparent. With Donal O'Connor's fiddling shadowing McSherry's
piping exactly, Tony Byrne adding spring-rhythmed guitar and Francis
McIlduff doubling on bodhran and uilleann pipes,
it's a band designed for excitement. Yet, alongside their
recreation of one of Finbar Furey's classic, fasten-your-seatbelts
sets, it was the slow air, Both Ghe, full of swelling, crying
blue notes, that proved the top goosebump source. Like McSherry,
fiddler Chris Stout plays music in the moment. Whatever the tempo
or setting, be it the fiddle-and-saxophone duet that opened the
set with an improvisatory bustle, a gorgeous Norwegian hymn or
the slippery, hectic Double Helix, the playing has a fresh-minted
crispness. The music's always forging ahead confidently, the group
sounds great and Stout leads it with a fiddle style that marries
fabulous touch and tone variation with a thirst for adventure.
Rob
Adams - The Scottish Herald
May 23 2006